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About Melanie Hofmann
SOLO EXHIBITIONS

The Digital Dimension, Red Oak Gallery, Berkeley, CA · 2001 - 2002

Barnes and Noble, Pleasant Hill, CA · 2001

Osceola Gallery, Emeryville, CA · 2001

Holiday Open Studio, Moonfire Digital Art
Kensington CA · 2000

Moonfire, Albany Community Center, Albany, CA · 1998

out of the blues, California College of Arts and Crafts
Oakland, CA · 1996

SELECTED GROUP EXHIBITIONS

Art Auction and Dance Gala, Arts Benicia, Benicia, CA · 2002

Viv and a Movie, Red Devil Lounge, San Francisco, CA · 2002

Digital Visions, The Center for Contemporary Art, Sacramento, CA · 2002

Open Craft Show, Marin Society of Artists, Ross, CA · 2002

California Small Works 2001, Sonoma Museum of Visual Art, Santa Rosa, CA · 2001

Arty Party, CyberArts International, Somarts Cultural Center, San Francisco, CA · 2001

New Media Connections, The Tech Museum, San Jose, CA · 2001

Mad River Post, San Francisco, CA · 2001

The Bit Screen, Online Exhibition · 2001
http://www.thebitscreen.com

2000 Juried Annual, Pro Arts, Oakland, CA · 2000 - 2001

Harmonic Corporation, Sunnyvale, CA · 2000 - 2001

Hewlett Packard-sponsored Digital Art Exhibit, Seybold Expo, San Francisco, CA · 2000

Short Film and Video Festival, Gallery 825, Los Angeles CA · 2000

26th Anniversary Celebration of the Rape Crisis Center of Contra Costa and Marin County
Marin Art and Garden Center, Ross, CA · 2000

Pro Arts East Bay Open Studios
Moonfire Digital Art, Kensington, CA · 2000

Top of the Map, Richmond Art Center
Richmond, CA · 2000

3rd Taegu International Textile Design Competition
Taegu, Korea · 2000

Photo Finish, Mumm Napa Valley Winery, Rutherford, CA · 2000

Hand and Voice, A Digital Art Exhibit at the Millennium, Alta Bates Medical Center Art Gallery, Berkeley, CA · 1999 - 2000

Marin General Hospital, Kentfield, CA · 1999

A Celebration of Healing and Hope, 25th Anniversary of the Rape Crisis Center of Contra Costa and Marin County, Contra Costa Country Club, Pleasant Hill, CA · 1999

Digital Art ‘99, Artisans Gallery, Mill Valley, CA · 1999

Ripe, Bucci’s and Hollis Street Project, Emeryville, CA · 1999

Celebrate, Albany Community Center, Albany, CA · 1998 - 1999

Faces of Home, Oliver Art Center, Oakland, CA · 1996

For our Ancestors, La Pena Cultural Center, Berkeley, CA · 1994

LECTURES AND SLIDE PRESENTATIONS

"Artist Talk," 2000 Juried Annual, Pro Arts, Oakland, CA · 2000

"Aspects of Abstract Digital Art," Artisans Gallery, Mill Valley, CA · 2000

MULTIMEDIA EVENTS

Techno Cosmic Mass, Sweets Ballroom, Oakland, CA · 2000

CURATING

Hand and Voice, A Digital Art Exhibit at the Millennium, Alta Bates Medical Center Art Gallery, Berkeley, CA · 1999 - 2000

PUBLICATIONS

APS Tech, Summer Catalog, 2000

Digital Dreamscapes, "Hot Stuff," Home and Garden section, San Francisco Chronicle, March 8, 2000

"Road," cover art for Conscious Life
Oakland, CA (September Issue) · 1998

"Community Folk," Albany Journal, Albany, CA · July 2, 1998

Digital Artist's "Moonfire" in Albany Journal (Hills Newspapers), Albany, CA · June 4, 1998

CORPORATE COLLECTIONS

Lifescan Inc., Milpitas, CA · 1999

AWARDS

Award Certificate, Taegu Textile Design Competition
Taegu, Korea · 2000

Award of Excellence, Manhattan Arts International magazine, New York, NY · 1999

EDUCATION

Visual Artist Program, Taking the Leap
Emeryville, CA · 1998 - 1999

BFA with distinction, Textiles, California College of Arts and Crafts, Oakland, CA · 1996

ARTIST'S STATEMENT

I often find myself walking down the sidewalk and picking up a fallen leaf that has captured my attention, picking a flower in the garden, or gathering small but special objects or photographs that I have collected over the years. I bring them into my digital studio to begin the process of creating a new piece of art.

Putting these found and treasured objects on the scanner, I start the magical journey of transformation. Sometimes the object maintains a visual sense of what it actually was, and other times even I have forgotten the original source.

This process reminds me of the many years I spent doing textile art with hand dyeing and printing techniques, whereby I would transform a plain piece of cloth into a multicolored and textured piece of art. The binding, stitching, painting, layering and printing utilized in making is similar to the digital art creation process due to the nature of the technology. There is also an element of unpredictability which, to me, makes the outcome even more exciting.

It is this sense of wonder and chance that I hope to capture in my work, and to share it with the viewer.

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